
Second One 1994
Dive into the shadowy world of **Second One (1994)**, a gripping crime drama infused with mysticism and existential weight.
Director: Sergei Rakhmanin
Cast



Frequently Asked Questions
What is Second One (1994) about?
**Second One (1994)** explores a tense love triangle set against the backdrop of a real criminal case, where passion and betrayal collide with fate's unpredictable hand. The film blends crime drama with mysticism, leaving viewers guessing until the very end.
Who directed Second One?
Sergei Rakhmanin directed **Second One (1994)**, bringing a raw, atmospheric style to this crime and existential drama.
Who stars in Second One?
The film features **Nikolay Kochegarov, Yelena Nikitina, Mariya Selyanskaya, and Pavel Sokolov** in key roles, delivering intense performances that drive the story forward.
Is Second One (1994) worth watching?
While not rated on IMDb, **Second One (1994)** offers a compelling mix of crime and existential themes, making it a solid choice for fans of gritty, thought-provoking dramas. Its unpredictable ending and strong performances add to its appeal.
How long is Second One?
**Second One (1994)** runs for 116 minutes.
About Second One (1994) — Crime, Mystery, and a Love Story That Defies Expectations
Dive into the shadowy world of **Second One (1994)**, a gripping crime drama infused with mysticism and existential weight. Directed by Sergei Rakhmanin, this film weaves a complex love triangle against the backdrop of a real-life criminal case, leaving audiences questioning every twist until the final, unpredictable moment. The atmosphere is tense, the pacing deliberate, and the themes—love, betrayal, and fate—linger long after the credits roll.
Nikolay Kochegarov, Yelena Nikitina, and Mariya Selyanskaya deliver powerhouse performances as the tangled web of emotions and consequences unfolds. With its stark realism and undercurrent of the supernatural, Second One (1994) stands out as a thought-provoking entry in the crime genre, blending drama with a haunting sense of inevitability.