
The Man Who Had His Hair Cut Short 1966
Belgian drama masterpiece *The Man Who Had His Hair Cut Short* (1966), directed by André Delvaux, weaves a haunting tale of obsession and repressed desire in a quiet Flemish setting.
Director: André Delvaux
Cast





Frequently Asked Questions
What is The Man Who Had His Hair Cut Short (1966) about?
This Belgian drama follows Govert Miereveld, a lawyer and teacher whose life spirals after an autopsy triggers a psychological breakdown. Haunted by his unrequited love for a former student, Fran, he becomes convinced she's a famous singer and embarks on a desperate mission to reconnect—leading to an ambiguous and emotionally charged conclusion.
Who directed The Man Who Had His Hair Cut Short?
André Delvaux directed *The Man Who Had His Hair Cut Short*. Known for blending surrealism with psychological depth, Delvaux crafted this film as part of his celebrated work in European cinema.
Who stars in The Man Who Had His Hair Cut Short?
The film features Senne Rouffaer as Govert Miereveld, alongside Beata Tyszkiewicz as Fran, and Hector Camerlynck in a key supporting role.
Is The Man Who Had His Hair Cut Short (1966) worth watching?
While unrated on IMDb, this 1966 Belgian drama is a hidden gem for fans of psychological films and European cinema. Its atmospheric storytelling and themes of obsession make it a compelling watch, though its slow pace and ambiguity may not appeal to all viewers.
How long is The Man Who Had His Hair Cut Short?
The runtime for *The Man Who Had His Hair Cut Short* is 95 minutes.
About The Man Who Had His Hair Cut Short (1966) — A Belgian Psychological Drama with Hidden Obsessions
Belgian drama masterpiece *The Man Who Had His Hair Cut Short* (1966), directed by André Delvaux, weaves a haunting tale of obsession and repressed desire in a quiet Flemish setting. Govert Miereveld, a reserved lawyer and teacher, grapples with forbidden longing for his former student Fran, whose sudden disappearance years earlier left him adrift in melancholy. When an autopsy triggers a psychological unraveling, Miereveld spirals into delusion, convinced Fran has become a celebrated singer—igniting a desperate quest to confront the past. Delvaux crafts an atmosphere thick with ambiguity, blending surrealism and emotional intensity as themes of unfulfilled love and the fragility of the human mind take center stage.
This 1966 drama lingers as a poignant exploration of memory and madness, where reality blurs with fantasy in a narrative that refuses easy answers. With Senne Rouffaer's quietly devastating performance anchoring the film, *The Man Who Had His Hair Cut Short* remains a standout in European cinema, offering viewers a slow-burning psychological journey that lingers long after the credits roll.