The Third, Pathetic 1960
Dive into the morally complex world of *The Third, Pathetic (1960)*, Ivan Yermakov's intriguing blend of drama and dark comedy. Set in a tense Cold War-era atmosphere, this Soviet-era gem follows the troubled Chekist Fyodor Dyatlov, a man torn between duty and desire.
Director: Ivan Yermakov
Cast
Frequently Asked Questions
What is The Third, Pathetic (1960) about?
This Soviet-era drama follows Fyodor Dyatlov, a security officer wrestling with his past and the thin line between justice and vengeance. His love for Irina, the sister of his friend Hippolytus, conflicts with his harsh pursuit of her brother Valerik, forcing him to confront the consequences of his own moral compromises.
Who directed The Third, Pathetic?
The film was directed by Ivan Yermakov, a Soviet filmmaker known for blending drama and social commentary in his works.
Who stars in The Third, Pathetic?
The film features Boris Smirnov as Fyodor Dyatlov, alongside Anna Lisyanskaya as Irina, Pavel Luspekayev as Hippolytus, and Kirill Lavrov in a supporting role.
Is The Third, Pathetic (1960) worth watching?
While unrated on IMDb, its sharp themes and standout performances make it a compelling watch for fans of historical dramas. The moral ambiguity and Soviet-era setting add layers that linger long after the credits roll.
How long is The Third, Pathetic?
Runtime details are not listed.
The Third, Pathetic (1960): Moral Dilemmas and Soviet-Era Drama — Full Movie Info
Dive into the morally complex world of *The Third, Pathetic (1960)*, Ivan Yermakov's intriguing blend of drama and dark comedy. Set in a tense Cold War-era atmosphere, this Soviet-era gem follows the troubled Chekist Fyodor Dyatlov, a man torn between duty and desire. His obsession with Irina, the sophisticated sister of his closest friend Hippolytus, clashes with his harsh pursuit of her younger brother Valerik—a case he personally investigates, risking both his personal relationships and professional integrity. The film explores themes of guilt, redemption, and the human cost of ideological rigidity, wrapped in Yermakov's sharp, observational storytelling. At its heart, it's a psychological tug-of-war where personal happiness and moral compromise collide.
Boris Smirnov delivers a standout performance as Dyatlov, a character both sympathetic and flawed, while Anna Lisyanskaya and Pavel Luspekayev add depth as the siblings caught in his web. The film's Soviet-era setting and its dry, almost satirical take on state security make it a fascinating watch for fans of historical dramas. Is Dyatlov a hero or a villain? *The Third, Pathetic (1960)* leaves the answer tantalizingly ambiguous.