
PS Last Summer 1988
Swedish drama *PS Last Summer (1988)* unfolds as a sun-soaked tale of friendship tested by desire and betrayal.
Director: Thomas Samuelsson
Cast







Frequently Asked Questions
What is PS Last Summer (1988) about?
*PS Last Summer (1988)* follows best friends Matte and Kranken on a cycling trip to Gotland, where Matte's decision to bring his new girlfriend Lisa stirs up unexpected resentment. As Lisa's presence grows, so do the unspoken tensions between the three, leading to a clash of emotions and loyalties that threatens their bond.
Who directed PS Last Summer?
*PS Last Summer* was directed by Thomas Samuelsson, a filmmaker known for his nuanced storytelling in Swedish drama.
Who stars in PS Last Summer?
The film stars Patrick Stenman, Robert Jelinek, Lena Nilsson, Pia Green, and Peder Falk in pivotal roles.
Is PS Last Summer (1988) worth watching?
While lacking an IMDb rating, *PS Last Summer (1988)* offers a compelling mix of drama and romance grounded in authentic Swedish storytelling. Its exploration of friendship and desire makes it a compelling watch for fans of character-driven films, even if it's not a mainstream hit.
How long is PS Last Summer?
*PS Last Summer* runs for 91 minutes.
About PS Last Summer (1988) — A Swedish Drama of Friendship and Betrayal
Swedish drama *PS Last Summer (1988)* unfolds as a sun-soaked tale of friendship tested by desire and betrayal. Director Thomas Samuelsson crafts a story about Matte and Kranken, inseparable pals whose annual cycling trip to Gotland takes a dramatic turn when Matte invites his new girlfriend Lisa, much to Kranken's unease. What begins as a breezy holiday quickly sours as Lisa's striking presence ignites tensions, revealing cracks in their bond. The film blends crime and romance with a melancholic edge, painting a portrait of loyalty strained by unspoken attraction and simmering jealousy.
Set against the idyllic backdrop of Gotland's landscapes, *PS Last Summer (1988)* explores themes of envy, love, and the fragility of male friendship. Samuelsson's direction leans into the tension between camaraderie and personal longing, making it a quietly intense drama where every glance and silence speaks volumes.