Lung 1986
Lung (1986) is a short animated film and the first installment of Robert Darroll's Korean Trilogy, a visually striking exploration of Eastern philosophy through the lens of Korean cultural motifs.
Director: Robert Darroll
Frequently Asked Questions
What is Lung (1986) about?
Lung (1986) is the first part of Robert Darroll's Korean Trilogy, a 12-minute animated short steeped in Eastern philosophy and Korean cultural symbolism. It distills Darroll's year-long study of Asian thought into a visually poetic narrative, evoking themes of spirituality and the interconnectedness of life.
Who directed Lung?
Lung was directed by Robert Darroll, a filmmaker known for blending animation with philosophical and cultural themes. His work on the film was heavily influenced by his time studying Asian philosophy in Korea during the early 1980s.
Who stars in Lung?
Cast information for Lung (1986) is not publicly available.
Is Lung (1986) worth watching?
At just 12 minutes, Lung (1986) is less about entertainment and more about artistic expression and cultural exploration. It may appeal to fans of experimental animation or those interested in the intersection of philosophy and visual art, though its niche appeal means it won't suit all tastes.
How long is Lung?
Lung (1986) runs for 12 minutes.
About Lung (1986) — Robert Darroll's 12-Minute Animated Masterpiece Explores Eastern Thought
Lung (1986) is a short animated film and the first installment of Robert Darroll's Korean Trilogy, a visually striking exploration of Eastern philosophy through the lens of Korean cultural motifs. Directed by Darroll after his immersive stay in Korea, the 12-minute piece blends traditional animé techniques with philosophical depth, weaving together themes of spirituality and nature. Its atmospheric storytelling and symbolic imagery make it a unique entry in experimental animation, offering a concise yet profound cinematic experience. Produced with support from Katrin Magnitz, Lung stands as a testament to Darroll's artistic vision and his fascination with Asian thought during the mid-1980s.
While details about the cast remain sparse, the film's cultural and philosophical roots are unmistakable, reflecting Darroll's post-travel reflections on Korean art and philosophy. The trilogy—completed with *Feng Huang* and *Stone Lion*—remains a cult curiosity for animation enthusiasts and scholars alike, celebrated for its brevity and bold thematic ambition. Lung (1986) isn't just a film; it's a fleeting yet memorable window into a bygone era of cross-cultural artistic exchange.