Mother's Name: Orange 1995
Mother's Name: Orange (1995) is a disarming short film anthology that weaves together four human stories set against the backdrop of post-war Croatia.
Director: Jasna Zastavniković
Cast
Frequently Asked Questions
What is Mother's Name: Orange (1995) about?
Mother's Name: Orange follows four interconnected stories set in post-war Croatia, blending documentary-style realism with comedic undertones. It explores themes of personal healing, family bonds, and the quiet resilience of ordinary people navigating life's complexities.
Who directed Mother's Name: Orange?
Mother's Name: Orange was directed by Jasna Zastavniković, who crafts a poetic and observational style that blends humor with deep emotional resonance.
Who stars in Mother's Name: Orange?
The film stars Neven Aljinović-Tot and Jasna Zastavniković, with Aljinović-Tot taking a central role in one of the anthology's most poignant segments.
Is Mother's Name: Orange (1995) worth watching?
While the film is unrated, its thoughtful blend of comedy and documentary offers a unique perspective on post-war life and personal growth. Fans of short, character-driven storytelling will appreciate its intimate and atmospheric approach.
How long is Mother's Name: Orange?
Mother's Name: Orange is an 18-minute short film.
About Mother's Name: Orange (1995) — A poetic anthology of war, healing, and everyday miracles
Mother's Name: Orange (1995) is a disarming short film anthology that weaves together four human stories set against the backdrop of post-war Croatia. Director Jasna Zastavniković crafts a poetic blend of documentary and comedy that explores personal redemption, unresolved grief, and the fleeting moments of connection in everyday life. From a troubled young man's cathartic return to nature to a son's tender reconciliation with his mother in a quiet park, each vignette captures the fragile balance between humor and heartbreak. The film's gentle yet probing gaze lingers on small victories and quiet revelations, all bathed in the warm, bittersweet light of Osijek's skies.
Zastavniković's direction infuses the anthology with a raw, improvisational energy, balancing sharp observational humor with moments of profound intimacy. Neven Aljinović-Tot delivers a standout performance in the central segment, embodying the restless search for meaning in a landscape still scarred by conflict. Together, these four stories form a mosaic of resilience, where even the simplest interactions—like a park bench sharing or a reckless confrontation—hint at deeper emotional truths waiting to surface.