State of Union 2001
State of Union (2001) is a provocative experimental short film by video remix artist Brian Boyce that stitches together unauthorized CNN footage of President George W. Bush with clips from the children's show The Teletubbies.
Director: Bryan Boyce
Frequently Asked Questions
What is State of Union (2001) about?
This experimental short film blends political footage of George W. Bush with clips from The Teletubbies to create a surreal commentary on media manipulation. The two-minute remix challenges viewers to reconsider how images and sound can influence public perception.
Who directed State of Union?
State of Union was directed by Bryan Boyce, an artist known for his work in video remix and media criticism.
Who stars in State of Union?
The film features appropriated footage of President George W. Bush and characters from The Teletubbies, though no traditional cast is listed.
Is State of Union (2001) worth watching?
As a two-minute experimental piece, State of Union is more of a provocative art statement than a conventional film experience. It's best suited for audiences interested in media critique and guerrilla filmmaking, offering a brief but memorable glimpse into early 2000s culture.
How long is State of Union?
State of Union has a runtime of 2 minutes.
About State of Union (2001) — A satirical remix of Bush and Teletubbies
State of Union (2001) is a provocative experimental short film by video remix artist Brian Boyce that stitches together unauthorized CNN footage of President George W. Bush with clips from the children's show The Teletubbies. Premiering as part of the 2002 Illegal Art Exhibit hosted by Stay Free! magazine, this two-minute collage blends satire with surrealism, using innocuous visuals to create jarring political commentary. The film's atmosphere oscillates between playful innocence and biting critique, challenging viewers to question how media shapes perception through juxtaposition.
Often described as a guerrilla art piece rather than a traditional narrative, State of Union (2001) subverts expectations by repurposing familiar images to deliver an unexpected message. Boyce's bold appropriation of licensed content turns the film into a conversation starter about copyright, propaganda, and the power of visual language in modern culture. While brief, its impact lingers through its sheer audacity and the discomfort it provokes.