Untitled (Dec. 29, 1993) 1999
Robert Beck (aka Buck) crafts a starkly minimalist 4-minute film with *Untitled (Dec. 29, 1993)* (1999), blending domestic instruction with accidental experimentation.
Director: Robert Beck/Buck
Frequently Asked Questions
What is *Untitled (Dec. 29, 1993)* (1999) about?
Robert Beck's experimental short records two awkward teaching moments: a father's confusing firearms lesson, filmed with the lens cap on, and his son's failed attempt to show him how to use a camcorder. The result is a provocative interplay of light, instruction, and accidental artistry.
Who directed *Untitled (Dec. 29, 1993)*?
The film was directed by Robert Beck, who later went by the name Buck.
Who stars in *Untitled (Dec. 29, 1993)*?
Credits for the cast are not listed, reflecting the film's experimental and uncredited nature.
Is *Untitled (Dec. 29, 1993)* (1999) worth watching?
With its unrated IMDb status and ultra-short runtime, this experimental curiosity won't appeal to everyone—but it's a compelling watch for fans of avant-garde cinema. Its themes of miscommunication and accidental artistry make it a unique, if niche, experience.
How long is *Untitled (Dec. 29, 1993)*?
The film runs for just 4 minutes.
About Untitled (Dec. 29, 1993) (1999) — A 4-Minute Experimental Film of Shadow and Miscommunication
Robert Beck (aka Buck) crafts a starkly minimalist 4-minute film with *Untitled (Dec. 29, 1993)* (1999), blending domestic instruction with accidental experimentation. The short juxtaposes two awkward lessons: a father's disorienting firearms tutorial—captured through a lens cap left on, reducing the action to a hypnotic bulls-eye of shifting light and shadow—and his son's bemused attempt to teach him home-video basics. Beck's experimental approach turns mundane teaching moments into something cryptic and unsettling, using technical mishaps to create a visual riddle that lingers long after the credits roll.
This obscure experimental gem explores themes of miscommunication, generational gaps, and the unintended consequences of technology, all wrapped in a deliberately rough-hewn aesthetic. Its brevity belies its impact, offering a fleeting but memorable meditation on how even the simplest interactions can take on eerie, almost surreal dimensions when viewed through the wrong lens. Fans of avant-garde cinema or unconventional storytelling will find *Untitled (Dec. 29, 1993)* (1999) a fascinating footnote in indie film history.