I, a Man 1967
Andy Warhol and Paul Morrissey's audacious 1967 drama *I, a Man* delivers a provocative, unfiltered snapshot of 1960s New York's underground sexual and social landscapes.
Director: Andy Warhol
Cast
Frequently Asked Questions
What is I, a Man (1967) about?
*I, a Man* follows a male hustler as he moves between fleeting, intimate encounters with a diverse cast of women, each representing different facets of 1960s sexual liberation and repression. The film uses these vignettes to explore themes of desire, identity, and societal expectations, all while immersing viewers in Warhol's signature style of raw, unfiltered storytelling.
Who directed I, a Man?
Andy Warhol directed *I, a Man* (1967), co-crafting its narrative with Paul Morrissey to deliver a raucous take on the Swedish film *I, a Woman*.
Who stars in I, a Man?
The film stars Warhol regulars Tom Baker, Valerie Solanas, Nico, Ingrid Superstar, and Ultra Violet, whose magnetic presences anchor its anarchic energy.
Is I, a Man (1967) worth watching?
While *I, a Man* isn't for everyone, its unflinching portrayal of 1960s counterculture and Warhol's distinct vision make it a fascinating watch for fans of experimental cinema. Its cult status and historical significance add layers to its appeal, even if its pacing challenges modern audiences.
How long is I, a Man?
*I, a Man* runs for 95 minutes, a concise runtime that packs in Warhol's signature blend of shock, intrigue, and artistic rebellion.
About I, a Man (1967) — Warhol's Provocative Snapshot of 1960s Underground Desire
Andy Warhol and Paul Morrissey's audacious 1967 drama *I, a Man* delivers a provocative, unfiltered snapshot of 1960s New York's underground sexual and social landscapes. The film revolves around a male hustler navigating a series of encounters with women whose desires and vulnerabilities clash with societal norms. From a young woman wrestling with her family's judgment to a woman lost in trance-like introspection, each interaction exposes raw, unscripted honesty—hallmarks of Warhol's avant-garde style. The black-and-white cinematography and deliberately meandering pace heighten the film's dreamlike, unsettling atmosphere, inviting viewers into a world where intimacy and alienation intertwine.
In true Warhol fashion, *I, a Man* blends social critique with eroticism, stripping away pretense to reveal the contradictions of modern desire. The ensemble cast, including Warhol superstars Tom Baker and Valerie Solanas, embody the film's rebellious spirit, their performances oscillating between playful and unsettling. With its experimental narrative and unapologetic exploration of gender and power, this cult classic remains a time capsule of Warhol's cinematic vision—and a challenging watch for those uninitiated in his boundary-pushing artistry.