The New Brad 2002
Short in 2002 but mighty in mischief, *The New Brad* introduces a quirky comedy that feels like a snapshot of sibling chaos caught on camera.
Director: Jay Duplass
Cast
Frequently Asked Questions
What is The New Brad (2002) about?
A tightly wound 16-minute comedy about a new arrival—Brad—who stirs the pot in a close-knit family, sparking laughs and light chaos along the way. It's a snapshot of how even the tiniest change can ripple through a household.
Who directed The New Brad?
The film was directed by Jay Duplass, who brings his signature blend of intimacy and humor to this short-form comedy.
Who stars in The New Brad?
Mark Duplass takes center stage as Brad, with Rachael Harris, Cindy Duplass, and Larry Duplass rounding out the main cast.
Is The New Brad (2002) worth watching?
At just 16 minutes, it's a bite-sized comedy that's easy to enjoy and hard to resist. Fans of low-key humor and family dynamics will find a quick but satisfying laugh-fest here. No bloated runtime, no filler—just sharp, Duplass-style comedy.
How long is The New Brad?
The New Brad runs precisely 16 minutes.
About The New Brad (2002) — A 16-minute comedy bursting with sibling wit and suburban shenanigans
Short in 2002 but mighty in mischief, *The New Brad* introduces a quirky comedy that feels like a snapshot of sibling chaos caught on camera. Director Jay Duplass wraps his lens around everyday absurdity, focusing on the arrival of a new face in the family that promises to shake up routines and spark laughter. Mark Duplass steps into the spotlight as the titular Brad, while Rachael Harris and the Duplass family circle around him, each delivering sharp, relatable performances that feel like outtakes from real life. With its 16-minute runtime packed with punchlines and playful energy, the film explores themes of change, community, and the humor hiding in awkward transitions.
Set in a cozy suburban bubble that's just small enough for small-talk to become big drama, *The New Brad* thrives on cringe and charm in equal measure. The atmosphere buzzes with the kind of nervous energy that only a filmmaker like Jay Duplass can turn into cinematic comfort food—familiar faces, familiar flaws, and an ending that leaves you grinning at the absurdity of it all.