Hands 1995
Jonathan Burrows' *Hands (1995)* is a captivating five-minute dance film that blends movement with raw emotion, offering a unique cinematic experience.
Director: Jonathan Burrows
Frequently Asked Questions
What is Hands (1995) about?
*Hands* is a short dance film that uses movement to convey emotion and storytelling without dialogue. Created by Jonathan Burrows and Adam Roberts, it focuses on the expressive power of hands and body language to communicate themes of connection and intimacy.
Who directed Hands?
Jonathan Burrows directed *Hands (1995)*. Known for his innovative approach to dance and movement, Burrows crafted this film as a collaboration with choreographer Adam Roberts.
Who stars in Hands?
Cast details for *Hands (1995)* are not listed, but the film features dancers whose performances drive its emotional depth and visual storytelling.
Is Hands (1995) worth watching?
*Hands* is a fascinating mini-experience for lovers of dance and experimental cinema. Though unrated on IMDb, its concise runtime and artistic vision make it a unique watch for those seeking something outside traditional narratives.
How long is Hands?
*Hands (1995)* has a runtime of 5 minutes.
About Hands (1995) — A 5-Minute Dance Film Exploring Movement and Emotion
Jonathan Burrows' *Hands (1995)* is a captivating five-minute dance film that blends movement with raw emotion, offering a unique cinematic experience. Created in collaboration with choreographer Adam Roberts, this short film transforms the human form into a language of its own, weaving together gestures and expressions to tell a silent yet powerful story. Through fluid choreography and expressive performances, *Hands* explores themes of connection, vulnerability, and the unspoken bonds that tie us together.
Dive into this concise yet mesmerizing film, where the art of dance becomes a universal dialogue. *Hands* isn't just a performance—it's an invitation to see the world through movement, rhythm, and fleeting moments of grace. Perfect for fans of experimental cinema and avant-garde storytelling, this 1995 gem remains a testament to the beauty of simplicity and the power of physical expression in filmmaking.