Reflections Of Women 1986
Director Okawato Yosuke steps beyond his intimate documentaries of family and felines with *Reflections Of Women* (1986), an avant-garde triptych that turns the lens on three distinct female subjects.
Director: Okawato Yosuke
Cast
Frequently Asked Questions
What is Reflections Of Women (1986) about?
Okawato Yosuke's experimental triptych zeroes in on three women, each captured in a meditative vignette that blends raw realism with dreamlike sensuality. The first woman dances in a muddy clearing before retreating into a charged encounter with an artist, while the second and third portraits explore stillness and introspection through striking, unnervingly precise frames.
Who directed Reflections Of Women?
The film was directed by Okawato Yosuke, known for his intimate, observational documentaries before this bold foray into avant-garde narrative.
Who stars in Reflections Of Women?
The minimalist cast features Tomoko Endo, Kiyomi Kurihara, and Tomoko Enokida in the film's three central, wordless roles.
Is Reflections Of Women (1986) worth watching?
While unconventional and unrated, *Reflections Of Women* offers a hypnotic glimpse into early Japanese avant-garde cinema. Its striking visuals and meditative pacing reward patient viewers seeking something outside the mainstream—though it's decidedly not for every taste.
How long is Reflections Of Women?
The film runs 86 minutes, a concise runtime that belies its lingering emotional and visual impact.
About Reflections Of Women (1986) — Avant-Garde Portraits of Womanhood Unfolded on Film
Director Okawato Yosuke steps beyond his intimate documentaries of family and felines with *Reflections Of Women* (1986), an avant-garde triptych that turns the lens on three distinct female subjects. Each vignette unfolds like a visual poem, blending raw naturalism with surreal sensuality. The first chapter captures a dancer lost in a muddy glade, shedding clothes and inhibitions as she drifts into an artist's dreamlike embrace. The second lingers on a motionless woman whose stillness becomes an unsettling mirror of quiet defiance. The final portrait lingers on intimate textures—smoke curling from a cigarette, the hush of a bedroom—inviting viewers to ponder the unspoken narratives flickering beneath every surface. Shot in stark, earthy tones, the film pulses with quiet rebellion and quiet eros, a meditation on identity, desire, and the elusive art of being seen.
Though Yosuke's earlier work centered on home and companionship, this bold departure reveals a filmmaker unafraid to explore the complexities of womanhood with unflinching honesty. With a runtime under 90 minutes, *Reflections Of Women* lingers like a half-remembered dream—evocative, elusive, and impossible to fully shake.