XXII/90 Wolf-Passerelle 1990
XXII/90 Wolf-Passerelle (1990) is a minimalist structuralist short film by Werner von Mutzenbecher that transforms an unassuming steel footbridge into a compelling cinematic subject. Removed after 2009, this six-minute piece documents a now-vanished connection between St.
Director: Werner von Mutzenbecher
Frequently Asked Questions
What is XXII/90 Wolf-Passerelle (1990) about?
This six-minute film captures the quiet life of a steel footbridge that once spanned a track field between St. Alban and the Wolf graveyard. It documents the bridge's two symmetrical passages in two acts, framing its industrial presence with structuralist precision before its eventual removal in 2009.
Who directed XXII/90 Wolf-Passerelle?
The film was directed by Werner von Mutzenbecher, a filmmaker known for his experimental and structuralist approach to cinema.
Who stars in XXII/90 Wolf-Passerelle?
Director Werner von Mutzenbecher is the sole credited individual behind the camera, as the film focuses on the bridge itself rather than performers.
Is XXII/90 Wolf-Passerelle (1990) worth watching?
While it's a niche work, XXII/90 Wolf-Passerelle offers a unique six-minute glimpse into structuralist filmmaking and urban decay. Its experimental style may appeal to fans of avant-garde cinema or those interested in the intersection of architecture and art.
How long is XXII/90 Wolf-Passerelle?
The film runs for 6 minutes.
XXII/90 Wolf-Passerelle (1990): Werner von Mutzenbecher's Structuralist Short Film — Full Details
XXII/90 Wolf-Passerelle (1990) is a minimalist structuralist short film by Werner von Mutzenbecher that transforms an unassuming steel footbridge into a compelling cinematic subject. Removed after 2009, this six-minute piece documents a now-vanished connection between St. Alban and the Wolf graveyard, capturing the bridge's two symmetrical passages in two acts with meticulous precision. Shot in a style reminiscent of structuralist filmmaking, the work strips away narrative to focus on pure form, texture, and urban geometry, inviting viewers to contemplate themes of transience and the overlooked beauty in everyday infrastructure.
The film's stark visual language and deliberate pacing create an atmospheric meditation on decay and memory. Von Mutzenbecher's framing emphasizes the bridge's industrial elegance against the backdrop of a dormant track field, while the repetitive structure mirrors the cyclical nature of urban evolution. Though devoid of dialogue or characters, XXII/90 Wolf-Passerelle lingers as a poignant reflection on how even the most mundane structures hold stories—and how their removal reshapes the landscape of a city.