
Una cita, una fiesta y un gato negro 2012
When former high school classmate Felisa walks back into Gabriela's life, the carefully built walls of her marriage and flourishing business crumble under a wave of dread—in just three days.
Director: Ana Halabe
Cast










Frequently Asked Questions
What is Una cita, una fiesta y un gato negro (2012) about?
The film follows Gabriela, a woman whose marriage and business are threatened when her high-school classmate Felisa reappears, bringing a reputation for attracting misfortune. Over three chaotic days, Gabriela must confront old demons and decide whether to trust superstition or her own instincts.
Who directed Una cita, una fiesta y un gato negro?
Ana Halabe directed this clever blend of comedy and suspense.
Who stars in Una cita, una fiesta y un gato negro?
The film features Julieta Cardinali, Rita Cortese, Leonora Balcarce, Fernán Mirás, Nicolás Pauls, and Roberto Carnaghi in key roles.
Is Una cita, una fiesta y un gato negro (2012) worth watching?
As a light comedy infused with subtle dread, it offers entertainment and a few chuckles, though it leans more on atmosphere than high stakes. Fans of character-driven stories with a twist of the supernatural will find it a quick, enjoyable watch.
How long is Una cita, una fiesta y un gato negro?
Una cita, una fiesta y un gato negro runs 86 minutes—just enough time for a satisfying evening out.
🎥 Trailer
About Una cita, una fiesta y un gato negro (2012) — A comedy where a high-school ghost returns with terrible luck
When former high school classmate Felisa walks back into Gabriela's life, the carefully built walls of her marriage and flourishing business crumble under a wave of dread—in just three days.
Argentine director Ana Halabe crafts a sharp-tongued comedy infused with superstition and second chances, wrapping the tension in a deceptively light package. Julieta Cardinali stars as Gabriela, whose orderly world unravels as Felisa's reputation for bad luck looms over every plan. A jet-black cat drifts through sun-drenched Buenos Aires streets like a shadowy omen, while witty neighbors and bewildered friends deliver the laughs that balance the creeping unease. With every phone call and chance encounter, the past refuses to stay buried—and neither do the consequences.
Set against the backdrop of everyday hustle and familiar haunts, Una cita, una fiesta y un gato negro (2012) turns a simple comedy of manners into a playful meditation on fate, fear, and fresh starts.