Police Precinct: Landfill No. 19 Poster

Police Precinct: Landfill No. 19 1962

66 min📅 1962-07-29

Unearth a chilling mystery in Shoichi Shimazu's *Police Precinct: Landfill No. 19 (1962)*, a gritty crime drama that blends forensic intrigue with post-war Japan's underbelly.

Director: Shoichi Shimazu

Cast

Yūji Hori
Yūji Hori
Detective Nagata
Tokue Hanazawa
Tokue Hanazawa
Detective Hayashi
Hiroshi Minami
Hiroshi Minami
Detective Azuma
Rinichi Yamamoto
Rinichi Yamamoto
Detective Kaneko
Takashi Kanda
Takashi Kanda
Chief Detective
Shirō Ōki
Detective Takatsu
Shigeko Arai
Shigeko Arai
Michiko Hoshi
Michiko Hoshi
Kaneko Iwasaki
Kaneko Iwasaki
Ken Sudo
Ken Sudo
Detective Watanabe

Frequently Asked Questions

What is *Police Precinct: Landfill No. 19 (1962)* about?

This crime drama follows Tokyo detectives as they investigate the shocking discovery of a strangled man's body at a landfill construction site. The victim, found with a unique rosary, becomes the key to unraveling a month-old murder tied to hidden motives and a web of lies among construction workers.

Who directed *Police Precinct: Landfill No. 19*?

Shoichi Shimazu directed this gripping crime drama, blending forensic detail with post-war Japan's gritty atmosphere.

Who stars in *Police Precinct: Landfill No. 19*?

The film features Yūji Hori, Tokue Hanazawa, Hiroshi Minami, Rinichi Yamamoto, and Takashi Kanda in key roles.

Is *Police Precinct: Landfill No. 19 (1962)* worth watching?

While it lacks an IMDb rating, this 66-minute crime drama offers a tight, atmospheric mystery with strong forensic and procedural elements. Fans of gritty post-war Japanese cinema or crime thrillers will appreciate its tense pacing and historical context.

How long is *Police Precinct: Landfill No. 19*?

The film has a runtime of 66 minutes.

About Police Precinct: Landfill No. 19 (1962) — A Forgotten Corpse Sparks a Gritty Crime Mystery

Unearth a chilling mystery in Shoichi Shimazu's *Police Precinct: Landfill No. 19 (1962)*, a gritty crime drama that blends forensic intrigue with post-war Japan's underbelly. The film opens in the midst of a construction site near a former landfill, where diggers uncover a shocking discovery—a strangled man clutching an unusual rosary, bearing signs of a brutal month-old crime. The Tokyo police spring into action, with detectives Hayashi and Kitagawa tracing the rosary's origins while their colleagues Nagata and Watanabe probe the construction workers' alibis. As the investigation unfolds, each clue peels back layers of deception, exposing hidden motives and a web of secrets tied to the victim's past.

Shimazu crafts a tense, atmospheric tale where the landfill's murky past mirrors the moral decay of its killers. The stark contrast between the city's rapid modernization and the corpse's grim discovery underscores the film's themes of justice and decay. With a runtime of just 66 minutes, this tight, suspenseful thriller keeps viewers on edge, delivering a haunting snapshot of 1960s Japan's criminal underworld.