
Historias Breves II: Tanto te gusta ese hombre 1996
Dive into the eerie, claustrophobic world of *Historias Breves II: Tanto te gusta ese hombre (1996)*, a haunting 10-minute animated drama directed by Liliana Romero.
Director: Liliana Romero
Cast

Frequently Asked Questions
What is *Historias Breves II: Tanto te gusta ese hombre (1996)* about?
This animated short explores a suffocating household where a group of women live under strict observation. When one secretly meets a man, the others react with envy and condemnation, leading to a dramatic confrontation rooted in Lorca's classic themes.
Who directed *Historias Breves II: Tanto te gusta ese hombre*?
The film was directed by Liliana Romero, who crafts a visually and emotionally intense experience within its brief runtime.
Who stars in *Historias Breves II: Tanto te gusta ese hombre*?
The cast features Diana Lelez in the lead role, alongside Liliana Romero and Vicky Biagiola as the pivotal women of the household.
Is *Historias Breves II: Tanto te gusta ese hombre (1996)* worth watching?
Though unrated, this 10-minute animated drama delivers a powerful punch with its themes of repression and desire. Its Lorca-inspired narrative and atmospheric direction make it a compelling watch for fans of intense, thought-provoking shorts.
How long is *Historias Breves II: Tanto te gusta ese hombre*?
The film runs for 10 minutes.
About Historias Breves II: Tanto te gusta ese hombre (1996) — A claustrophobic animated drama inspired by García Lorca
Dive into the eerie, claustrophobic world of *Historias Breves II: Tanto te gusta ese hombre (1996)*, a haunting 10-minute animated drama directed by Liliana Romero. Set within the oppressive walls of a house where women live under suffocating scrutiny, the arrival of a mysterious man ignites a powder keg of repressed emotions. Diana Lelez stars as the woman drawn to him, while Liliana Romero and Vicky Biagiola embody the watchful, judgmental clan whose envy and frustration explode when her secret is exposed. Based on Federico García Lorca's tragic *The House of Bernarda Alba*, this short film weaves themes of forbidden desire, societal condemnation, and the stifling weight of tradition into a visually striking, emotionally charged narrative.
Romero's direction casts a shadowy, almost surreal atmosphere over the confined space, where every glance and whisper feels laden with tension. The animation style enhances the oppressive mood, turning the home into a prison of unspoken desires. As power struggles and moral judgments collide, the film lingers like a ghost, leaving audiences to grapple with its stark portrayal of isolation and longing.