Dance #5 1970
Dance #5 (1970) is a brief yet compelling 4-minute choreographic work that originated from a live performance at Chicago's First Unitarian Church in March 1969.
Director: Shirley Erbacher
Frequently Asked Questions
What is Dance #5 (1970) about?
Dance #5 is a 4-minute film documenting a choreographed performance titled 'What Are You,' which explores themes of identity and existential inquiry through dance. The piece was performed at Chicago's First Unitarian Church in 1969 and later captured on film by director Shirley Erbacher.
Who directed Dance #5?
The film was directed by Shirley Erbacher, who preserved this unique dance performance from March 23, 1969.
Who stars in Dance #5?
Cast information for Dance #5 is not available in the provided data.
Is Dance #5 (1970) worth watching?
For fans of experimental and avant-garde cinema, Dance #5 offers a unique 4-minute window into 1970s performance art. While unrated and brief, it holds historical value for those interested in dance documentation and alternative filmmaking approaches.
How long is Dance #5?
Dance #5 has a runtime of 4 minutes.
About Dance #5 (1970) — A Brief Dance Film from Chicago's Artistic Underground
Dance #5 (1970) is a brief yet compelling 4-minute choreographic work that originated from a live performance at Chicago's First Unitarian Church in March 1969. Directed by Shirley Erbacher, this short film captures the artistic vision of dancer-choreographer Korah Erbacher, whose piece 'What Are You' explores themes of identity and self-reflection through movement. The intimate setting of the church provides a contemplative backdrop for this experimental dance work.
This micro-documentary preserves a significant moment in avant-garde performance art, offering viewers a glimpse into the creative expressions of early 1970s dance culture. Though the cast details remain undocumented, the focus lies entirely on the choreographic narrative and its exploration of existential questioning. The brevity of Dance #5 (1970) makes it an accessible entry point for those interested in alternative cinema and performance documentation.
With its unrated status and minimalist approach, Dance #5 stands as an intriguing artifact for enthusiasts of experimental film and dance documentation. The work exemplifies the intersection of religious space and artistic expression during a period of cultural transformation.