Dua Kali Duapuluh Empat Djam (2 X 24 Djam) 1967
Dua Kali Duapuluh Empat Djam (2 X 24 Djam) (1967), directed by Danu Umbara, is a gripping Indonesian crime drama that unfolds like a high-stakes chess game between desperate souls.
Director: Danu Umbara
Cast






Frequently Asked Questions
What is Dua Kali Duapuluh Empat Djam (2 X 24 Djam) (1967) about?
The film follows Norman, whose house is robbed, only for one thief to get caught when his car crashes. Bing, the captured thief, is the ex-fiancé of Norman's former love, Hayati. As Norman seeks revenge, he teams up with Godfried, a reformed criminal, while the gang leader, Wikarta, kidnaps Bing's family to silence him and pursue Hayati.
Who directed Dua Kali Duapuluh Empat Djam (2 X 24 Djam)?
Danu Umbara directed this intense crime drama.
Who stars in Dua Kali Duapuluh Empat Djam (2 X 24 Djam)?
The film features legendary Indonesian actor Bing Slamet alongside Chitra Dewi, Ratno Timoer, Raman Wirawan, and Connie Sutedja.
Is Dua Kali Duapuluh Empat Djam (2 X 24 Djam) (1967) worth watching?
While it's unrated on IMDb, this classic Indonesian crime thriller delivers gripping suspense, moral dilemmas, and stellar performances from its cast. Fans of vintage action dramas with emotional depth will find plenty to appreciate in its tightly woven plot.
How long is Dua Kali Duapuluh Empat Djam (2 X 24 Djam)?
Runtime details are not listed.
About Dua Kali Duapuluh Empat Djam (2 X 24 Djam) (1967) — When a robbery unravels love and vengeance in a single day
Dua Kali Duapuluh Empat Djam (2 X 24 Djam) (1967), directed by Danu Umbara, is a gripping Indonesian crime drama that unfolds like a high-stakes chess game between desperate souls. At its core, the film explores the fallout of a botched robbery that spirals into a web of betrayal, love, and vengeance when a captured thief's family becomes the pawn of the gang leader, Wikarta—who harbors a twisted obsession for his ex-lover, Hayati. As the clock ticks in this tense 24-hour cycle, Norman, the robbery victim, teams up with Godfried, a former criminal seeking redemption, to outmaneuver the gang and reclaim what's rightfully his.
The atmosphere crackles with moral ambiguity and raw intensity, as Umbara crafts a story where loyalty is fragile, and justice is a personal pursuit. With its blend of crime, action, and psychological thriller elements, Dua Kali Duapuluh Empat Djam (2 X 24 Djam) (1967) offers a snapshot of 1960s Indonesian cinema's ability to merge social commentary with edge-of-your-seat suspense.